Our Souls at Night by Kent Haruf, Alan Kent Haruf

NATIONAL BESTSELLER ? A spare yet eloquent, bittersweet yet inspiring story of a man and a woman who, in advanced age, come together to wrestle with the events of their lives and their hopes for the imminent future. n nIn the familiar setting of Holt, Colorado, home to all of Kent Haruf's inimitable fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. n nHer husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife. His daughter lives hours away, her son even farther, and Addie and Louis have long been living alone in empty houses, the nights so terribly lonely, especially with no one to talk with. But maybe that could change? n nAs Addie and Louis come to know each other better-their pleasures and their difficulties-a beautiful story of second chances unfolds, making Our Souls at Night the perfect final installment to this beloved writer's enduring contribution to American literature. n nEditorial Reviews n nA BEST BOOK OF THE YEAR: The Boston Globe, St. Louis Post-Dispatch, and The Denver Post n nMore Winesburg that Mayberry, Holt and its residents are shaped by physical solitude and emotional reticence. . . . Haruf's fiction ratifies ordinary, nonflashy decency, but he also knows that even the most placid lives are more complicated than they appear from the outside. . . . The novel is a plainspoken, vernacular farewell. --Catherine Holmes, The Charleston Post and Courier n nA marvelous addition to his oeuvre. . . . spare but eloquent, bittersweet yet hopeful. --Kurt Rabin, The Fredericksburg Freelance-Star n nLateness--and second chances--have always been a theme for Haruf. But here, in a book about love and the aftermath of grief, in his final hours, he has produced his most intense expression of that yet. . . . Packed into less than 200 pages are all the issues late life provokes. --John Freeman, The Boston Globe n nA fitting close to a storied career, a beautiful rumination on aging, accommodation, and our need to connect. . . . As a meditation on life and forthcoming death, Haruf couldn't have done any better. He has given us a powerful, pared-down story of two characters who refuse to go gentle into that good night. --Lynn Rosen, The Philadelphia Enquirer n nA delicate, sneakily devastating evocation of place and character. . . . Haruf's story accumulates resonance through carefully chosen details; the novel is quiet but never complacent. --The New Yorker n nElegiac, mournful and compassionate. . .a triumphant end to an inspiring literary career [and] a reminder of a loss on the American cultural landscape, as well as a parting gift from a master storyteller. --William J. Cobb, The Dallas Morning News n nA fine and poignant novel that demonstrates that our desire to love and to be loved does not dissolve with age. . . . The story speeds along, almost as if it's a page-turning mystery. --Joseph Peschel, The St. Louis Post-Dispatch n nBy turns amusing and sad, skipping-down-the-sidewalk light and pensive. . . . I recommend reading it straight through, then sitting in quiet reflection of beautiful literary art. --Fred Ohles, The Lincoln Journal Star n nHaruf is never sentimental, and the ending--multiple twists packed into the last twenty pages--is gritty, painful and utterly human. . . . His novels are imbued with an affection and understanding that transform the most mundane details into poetry. Like the friendly light shining from Addie's window, Haruf's final novel is a beacon of hope; he is sorely missed. --Francesca Wade, Financial Times n nHaruf was knows as a great writer and teacher whose work will endure. . . . The cadence of this book is soft and gentle, filled with shy emotion, as tentative as a young person's first kiss--timeless in its beauty. . . . Addie and Louis find a type of love that, as our society ages, ever more people in the baby boom generation may find is the only kind of love that matters. --Jim Ewing, The Jackson Clarion-Ledger n nThere is so much wisdom in this beautifully pared-back and gentle book. . . a small, quiet gem, written in English so plain that it sparkles. --Anne Susskind, The Sydney Morning Herald n nHis great subject was the struggle of decency against small-mindedness, and his rare gift was to make sheer decency a moving subject. . . . [This] novel runs on the dogged insistence that simple elements carry depths, and readers will find much to be grateful for. --Joan Silber, The New York Times Book Review n nIn a fitting and gorgeous end to a body of work that prizes resilience above all else, Haruf has bequeathed readers a map charting a future that is neither easy nor painless, but it's also not something we have to bear alone. --Esquire n nUtterly charming [and] distilled to elemental purity. . . . such a tender, carefully polished work that it seems like a blessing we had no right to expect. --Ron Charles, The Washington Post n nHaruf spent a life making art from our blind collisions, and Our Souls at Night is a fitting finish. --John Reimringer, The Minneapolis Star Tribune n nHaruf once again banishes doubts. Our souls can surprise us. Beneath the surface of reticent lives--and of Haruf's calm prose--they prove unexpectedly brave. --Ann Hulbert, The Atlantic n nBlunt, textured, and dryly humorous. . . this quietly elegiac novel caps a fine, late-blooming and tenacious writing career. . . . Haruf's gift is to make hay of the unexpected, and it feels like a mercy. . . . This is a novel for just after sunset on a summer's eve, when the sky is still light and there is much to see, if you are looking. --Wingate Packard, The Seattle Times n nA parting gift [and] a reminder of how profoundly we will miss Holt and its people, and Kent Haruf's extraordinary writing. --Sandra Dallas, The Denver Post n nShort, spare and moving...Our Souls at Night is already creating a stir. --Jennifer Maloney, The Wall Street Journal n- From the Publisher n nOur Souls at Night has less grit than Eventide, with its Dickensian views of the lives of the poor, or Plainsong, where favorite characters draw relentless spite; its tone is milder and more melancholy. But the novel runs, like [Haruf's] others, on the dogged insistence that simple elements carry depth, and readers will find much to be grateful for. n- The New York Times Book Review - Joan Silber n n*03/02/2015 nWithin the first three pages of this gripping and tender novel, Addie Moore, a 70-year-old widow, invites her neighbor, Louis Waters, to sleep over. No, not sex, she clarifies. I'm talking about getting through the night. And lying warm in bed, companionably. Although Louis is taken off guard, the urgency of Addie's loneliness does not come across as desperate, and her logic will soon persuade him. She reasons that they're both alone (Louis's wife has also been dead for a number of years) and that, simply, nights are the worst. What follows is a sweet love story, a deep friendship, and a delightful revival of a life neither of them was expecting, all against the backdrop of a gossiping (and at times disapproving) small town. When Addie's six-year-old grandson arrives for the summer, Addie and Louis's relationship is tested but ultimately strengthened. Addie's adult son's judgment, however, is not so easily overcome. In this book, Haruf, who died in 2014, returns to the landscape and daily life of Holt County, Colo., where his previous novels (Plainsong, Eventide, The Tie That Binds) have also been set, this time with a stunning sense of all that's passed and the precious importance of the days that remain. (May) n- Publishers Weekly n n*04/01/2015 nIn this last novel written before his death in November 2014, acclaimed novelist Haruf (Benediction) captures small-town life to perfection in his signature spare style. Addie Moore and Louis Waters have been neighbors in the eastern Colorado farming town of Holt for over 40 years. Now, alone except for visits from their grown children, Addie has asked Louis to come over every evening and to stay with her in bed, just to get through the lonely nights. Louis is not a risk taker, but he's lonely, too, and so begins their companionable routine, as they talk not only about trivial matters but also about important things in the past: his affair with a local teacher, her daughter's death at age 11. Unfortunately, Addie's bullying son Gene interferes. After leaving his son Jamie with Addie for the summer, during which time the troubled boy's behavior improves markedly, Gene sees what is going on and issues an ultimatum that forces Addie to make a difficult choice. VERDICT Haruf gives a delicate touch to Addie and Louis, their enjoyment of simple pleasures, their disappointments and compromises. Poignant and eloquent, this novel resonates beyond the pages. Don't miss this exceptional work from a literary voice now stilled. [See Prepub Alert, 11/25/14.].--Donna Bettencourt, Mesa Cty. P.L., Palisade, CO n- Library Journal n n2015-03-05 nA sweet love story about the twilight years. If Haruf (who died in November at age 71) hadn't titled his previous book Benediction (2013), that might have been perfect for this one. It's a slim novel of short chapters, and it would seem to bring the cycle of books about small-town Holt, Colorado, to a close. This isn't a dark night of the soul but one filled with hope and with second chances. Here's how it opens: And then there was the day when Addie Moore made a call on Louis Waters. Addie is 70, a widow, and she was close with Louis' late wife. She and Louis don't really know each other that well, other than as nodding acquaintances, but she has a novel proposition: she wants him to sleep with her. Not to have sexual relations, but just to have someone with whom she can talk and share and make it through the night. He appreciates the risk she's taken in making the request, and he agrees, though on their first night he's filled with thoughts of How strange this is. How new it is to be here. How uncertain I feel, and sort of nervous. Word gets out, and those who will gossip do, assuming the salacious details. Addie and Louis both have adult children who aren't enthusiastic about the arrangement. And they each have a back story about the sorts of disappointments and perseverance that mark any longstanding marriage. Through Addie's initiative, she and Louis find an emotional intimacy beyond anything either has previously known, and both come to recognize that they deserve to be happy, no matter what friends and family think. The author even has a little metafictional fun with his premise, as the characters comment on those made up books about the (fictional) Holt and how they'd hate to be in one of them. Those who have been immersed in Holt since Plainsong(1999) will appreciate one last visit. n- Kirkus Reviews