Oliver Twist by Charles Dickens, George Cruickshank
Oliver Twist es una de las primeras novelas sociales de la historia de la literatura, pues llama la atención a sus lectores sobre varios males sociales de la época, tales como el trabajo infantil o la utilización de niños para cometer delitos. Dickens se burla de la hipocresía de su época tratando estos temas tan serios con sarcasmo y humor negro. Editorial Reviews Gr6-8--A graphic retelling of the classic, Great Expectations is rushed, confusing, and an unpleasant read. At times it is difficult to tell the characters apart, mainly because of the lack of depth in the secondary players, and because the artwork is flat and impassive. The plot is without focus, so struggling readers will have an issue with continuity. Oliver Twist has similar problems. The flow is choppy, characterization is nonexistent, and the compression of the story line adds to the confusion. The artwork, black-and-white rough sketching, is inconsistent. Panels range from clean and distinct to dark and busy. As in the first book, some characters are indistinguishable from page to page. The combination of story and artwork will not create new fans of graphic novels.--Mariela Siegert, Westfield Middle School, Bloomingdale, IL - School Library Journal The inimitable Martin Jarvis brings his talents to bear on Charles Dickens's classic in an audiobook that will delight listeners with its superb recreations of gritty 19th-century London. To escape Mr. Bumble and life in the workhouse, Oliver flees to London where he meets the Artful Dodger and becomes embroiled with Fagin's ragtag band of thieves. Jarvis simply dazzles: his performance captures both the humor and sorrow of the text, his narration is crisp, and his characterizations--his rendition of the terrifying district magistrate, Mr. Fang, is particularly memorable--are as varied as they are energetic, befitting, and enjoyable. (June) - Publishers Weekly The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling. -Guardian We leave him most reuctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him. -Examiner The power of [Dickens] is so amazing, that the reader at once becomes his captive. -William Makepeace Thackeray - From the Publisher This retelling presents a condensed version of Dickens's work for young listeners. Smoothly written, it has been considerably shortened from the original. It recounts the main events but lacks Dickens's signature word craft. Jonathan Keeble is an authoritative guide through Oliver's orphan narrative. Keeble's commanding voice presents a series of interrelated vignettes, each separated by period music. His characters each have memorable voices, especially Fagin, who is a bombastic villain fully brought to life. With such voices, Keeble offers a performance, more than a narration. His changing tone and pace draw attention to dramatic events; however, some principals, notably Oliver, sound a bit caricatured. An informational booklet on Dickens accompanies the production. Keeble's vivid reading makes Oliver's story accessible for young listeners. C.A. © AudioFile 2012, Portland, Maine - APRIL 2012 - AudioFile
Publication Details
Title:
Author(s):
Illustrator:
Binding: Paperback
Published by: Wordsworth Editions, Limited: , 1997
Edition:
ISBN: 9781853260124 | 1853260126
400 pages.
Book Condition: Good
Cover worn
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