The Other Queen by Philippa Gregory

A New York Times Bestseller -- Made into a Miramax film starring Scarlett Johansson which was released in February 2008. Biographers often neglect the captive years of Mary, Queen of Scots, who trusted Queen Elizabeth's promise of sanctuary when she fled from rebels in Scotland and then found herself imprisoned as the guest of George Talbot, Earl of Shrewsbury, and his indomitable wife, Bess of Hardwick. The newly married couple welcome the doomed queen into their home, certain that serving as her hosts and jailers will bring them an advantage in the cutthroat world of the Elizabethan court. To their horror, they find that the task will bankrupt them, and as their home becomes the epicenter of intrigue and rebellion against Elizabeth, their loyalty to each other and to their sovereign comes into question. If Mary succeeds in seducing the earl into her own web of treachery and treason, or if the great spymaster William Cecil links them to the growing conspiracy to free Mary from her illegal imprisonment, they will all face the headsman. Editorial Reviews From Booklist Using the multiple-viewpoint technique that worked well in The Boleyn Inheritance (2006), Gregory fictionalizes a little-explored episode in the life of Mary, Queen of Scots. In 1568, after fleeing rebellious Scottish lords, Mary is placed into the custody of George Talbot, Earl of Shrewsbury, and his wife, Bess of Hardwick. This turns their Derbyshire estate into a hotbed of intrigue and possible treason. George, normally loyal to a fault, falls in love with Mary; Bess secretly reports to William Cecil, Queen Elizabeth's spymaster, while fretting about her foolish husband and the continual draining of their funds; Mary plays them against one another while plotting to escape, with Cecil noting her every move. Gregory skillfully evokes the suspenseful atmosphere--it was never certain that the 1569 Rising of the North in favor of Catholic Mary would fail--but the protagonists' inner thoughts, as presented in short alternating chapters, are unnecessarily repetitive. Although this isn't her best work, Gregory's writing is sharpest toward the end, as the unavoidable consequences of Mary's long imprisonment are finally felt by all. --Sarah Johnson --This text refers to an out of print or unavailable edition of this title. Review Mary's hell-bent assuredness combines deliciously with brisk chapt ers and rich historical detail. Indulge. -- People A mesmerizing novel that will keep readers turning pages deep into the night...as sweet and thorny as a wild English rose. -- BookPage Mary's hell-bent assuredness..bines deliciously with brisk chapters and rich historical detail. Indulge. --People --This text refers to an out of print or unavailable edition of this title. About the Author Philippa Gregory is the New York Times bestselling author of several books, including The Other Boleyn Girl and The Boleyn Inheritance. A writer and broadcaster for radio and television, she lives in England. Bianca Amato was born in South Africa, and lives in New York City. U.S. productions include The Importance of Being Earnest, Pride and Prejudice, Pygmalion, and As You Like it. Dagmara Dominczyk's film credits are Rock Star, The Count of Monte Cristo, Kinsey, and Lonely Hearts. On television she's appeared in Five People You Meet in Heaven, and 24. Her Broadway appearences are Closer, Enchanted April, and The Violet Hour. Malcolm Graeme has appeared on and off Broadway in Aida, The King and I, Lincoln Center's Hapgood, and M. Butterfly (National Tour). His television appearances include Law & Order, Follow the River, and Mr. Halpern and Mr. Johnson (with Laurence Olivier). Film credits include A Further Gesture, The Adventures of Sebastian Cole, and Reunion. --This text refers to an out of print or unavailable edition of this title. Excerpt. ? Reprinted by permission. All rights reserved. 1568, AUTUMN, CHATSWORTH HOUSE, DERBYSHIRE: BESS Every woman should marry for her own advantage since her husband will represent her, as visible as her front door, for the rest of his life. If she chooses a wastrel she will be avoided by all her neighbors as a poor woman; catch a duke and she will be Your Grace, and everyone will be her friend. She can be pious, she can be learned, she can be witty and wise and beautiful, but if she is married to a fool she will be that poor Mrs. Fool until the day he dies. And I have good reason to respect my own opinion in the matter of husbands having had three of them, and each one, God bless him, served as stepping stone to the next until I got my fourth, my earl, and I am now my lady Countess of Shrewsbury: a rise greater than that of any woman I know. I am where I am today by making the most of myself, and getting the best price for what I could bring to market. I am a self-made woman -- self-made, self-polished, and self-sold -- and proud of it. Indeed, no woman in England has done better than me. For though we have a queen on the throne, she is only there by the skill of her mother, and the feebleness of her father's other stock, and not through any great gifts of her own. If you kept a Tudor for a breeder you would eat him for meat in your second winter. They are poor weak beasts, and this Tudor queen must make up her mind to wed, bed, and breed, or the country will be ruined. If she does not give us a bonny Protestant boy then she will abandon us to disaster, for her heir is another woman: a young woman, a vain woman, a sinful woman, an idolatrous Papist woman, God forgive her errors and save us from the destruction she will bring us. Some days you hear one story of Mary Queen of Scots, some days another. What you will never, never hear, even if you listen a hundred times, even when the story is told by her adoring admirers, is the story of a woman who consults her own interest, thinks for herself, and marries for her best advantage. But since in this life a woman is a piece of property, she does well to consider her improvement, her sale at the best price, and her future ownership. What else? Shall she let herself tumble down? A pity that such a foolish young woman should be foisted on me and my household, even for a short stay, while Her Majesty Elizabeth the Queen decides what is to be done with this most awkward guest. But no house in the kingdom can be trusted to entertain and -- yes -- secure her like mine. No husband in England could be trusted with such a Salome dancing on his terrace but mine. Only my household is run with such discipline that we can accommodate a queen of royal blood in the style that she commands and with the safety that she must have. Only my newly wedded husband is so dotingly fond of me that he is safe under the same roof as such a temptress. No one knows of this arrangement yet; it has been decided in secret by my good friend Secretary William Cecil and by me. As soon as this hopeless queen arrived in rags at Whitehaven, driven from Scotland by her rebellious lords, Cecil sent me a short note by an unknown messenger to ask if I would house her, and I sent him a one-word reply: yes. Yes indeed! I am honored by Cecil's faith in me. From such trust comes great challenges, and from great challenges come great rewards. This new world of Elizabeth's is for those who can see their chances and take them. I foresee honors and riches if we can host this royal cousin and keep her close. Cecil can rely on me. I shall guard her and befriend her, I shall house and feed her, I shall treat her royally and honorably and keep her safe as a little bird in the nest till the moment of his choosing, when I will hand her over intact to his hangman. Copyright ? 2008 by Philippa Gregory Limited 1568, AUTUMN, HAMPTON COURT: GEORGE I am nobody's agent. I am no bought opinion. I am no hired blade. I am neither Cecil's spy nor executioner. I wish to God that I were not here in London, on this bad business, but home at Chatsworth House with my darling innocent wife Bess, in the simple country and far away from the conspiracies and perils of court. I can't say that I am happy. I can't say that I like this. But I will do my duty -- God knows that I always do my duty. You have been summoned for nothing but to order the death of Mary Queen of Scots, Thomas Howard hisses in my ear as he catches up with me in a gallery at Hampton Court. They have closed the shutters for cleaning and the place is shadowy in the early-evening dusk. The portraits on the walls seem to show pale-faced listeners leaning forward to hear as Howard takes my arm to warn me of dangers that I already fear. We are to throw suspicion on her. Nothing else. Don't deceive yourself. Cecil decided that this queen was a threat to the kingdom, from the moment of her birth. She may think that she has escaped her enemies in Scotland to sanctuary in England, but she has just exchanged one danger for another. Cecil has decided that she must die. This is his third attempt to convict her. We are to be his hangmen, without opinions of our own. I look down at Howard; he is a small man, well dressed and neat with a well-trimmed black beard and bright dark eyes. Today he is almost dancing with fury at the queen's minister. We all resent Cecil, all us old lords, but it rubs Howard worse than any other. He is the queen's cousin, the head of the Howard family, he is the Duke of Norfolk, he would expect to be her chief advisor -- but she depends on Cecil and always has done. I have been appointed by the queen herself to inquire into the conduct of her cousin the Queen of Scots. I am no hangman, I say with quiet dignity. A man goes past, and hesitates as if to listen to our conversation. Howard shakes his dark head at my naivety. Elizabeth may want the Queen of Scots' name cleared. But William Cecil is not notorious for his soft heart. He wants the Protestant faith to rule Scotland as England, and the Catholic queen to lie in jail, or in her coffin. Either suits him equally well. He will never agree that she is guilty of nothing and must be restored to her throne. I cannot argue against Howard's irritable righteousness. I know that he is speaking only the truth. But he is speaking it too loud and too clear for my liking. Anyone could be behind the tapestry screens, and though the stranger has strolled on, he must have heard some of this. Hush, I say and draw him to a seat so that we can whisper. At once we look like conspirators, but the whole court looks like conspirators or spies these days. What can we do? I ask him quietly. Cecil has called this inquiry to hear the evidence against the Scots queen, to judge whether she should be restored to her throne, whether she is fit to rule. What can we do to make sure that she is treated justly? We have to save her, Howard says firmly. We have to declare her innocent of murdering her husband, and we have to restore her to her throne in Scotland. We have to accept her claim to be Elizabeth's heir. She must be confirmed as heir to the throne of England when... He breaks off. Not even Howard dares mention the death of his cousin the queen. When the time comes. Only the confirmed inheritance of Mary Stuart will give us the safety of knowing our next monarch. We have a right to know the heir. We have to fight her cause as if it were our own. He sees my hesitation. A couple of men go by and look curiously at the two of us. I feel conspicuous and get to my feet. Walk with me, Howard says. And listen. We have to fight her cause as if it were our own because it is our own. Say that we let Cecil imprison her or trump up a charge of murder and accuse her. What do you think happens then? I wait. What if next he decides that I am a danger to the kingdom? What then? What if after me, he names you? I try to laugh. He is hardly likely to accuse you, or me. We are the greatest men in England. I am the greatest landowner north of the Trent and you are the queen's own cousin and a duke. Yes. And that is why we are in danger. We are his rivals for power. He will destroy anyone who challenges him. Today the Queen of Scots faces his tribunal. Tomorrow it could be me, or any that have dared to challenge him: Percy, Dacre, Sussex, Arundel, Dudley, the Northern lords, you. He has to be stopped, Howard says, his voice a low rumble in my ear. Wouldn't you stop him if you could? It can't be done, I say cautiously. The queen is free to choose her own advisors, and she trusts him like no other. He has been at her side since she was a young princess. What could we accuse him of? Stealing Spanish gold! Pushing them to the brink of war! Making an enemy of France! Driving half the country towards treason with his constant suspicion and spying on people who want nothing more than to worship in the old way! Look at the court! Have you ever been at court before and felt yourself so fearful? It is filled with spies and plots. I nod. It is undeniable. Cecil's fear of Papists and his hatred of foreigners stalk England. This last idiocy of his is the worst, Howard says furiously. That a ship should take refuge from bad weather in our port and be seized! He makes us a nation of pirates and the seas unsafe for our shipping. I can't disagree. The Spanish treasure ship was blown into Plymouth expecting sanctuary, and Cecil, the son of a poor man, could not resist the gold it carried. He stole the gold -- simple as that. And now the Spanish are threatening a blockade of trade, even war, if we do not pay it back. We are utterly in the wrong, all because Cecil is utterly in the wrong, but he has the ear of the Queen of England. Howard masters his irritation with some difficulty. Please God we never see the day when you come to me and say I was right to fear him and we should have defended ourselves, but now it is too late and one of our own is on trial for some trumped-up charge. Please G... --This text refers to an out of print or unavailable edition of this title. From AudioFile After her forced abdication, Mary, Queen of Scots (Dagmara Dominczyk), flees to England, where her cousin, Queen Elizabeth I, promptly imprisons her. Mary lives her life of confinement on the secluded Sheffield estates under the spying eyes of the Earl of Shrewsbury (Graeme Malcolm) and his wife, Bess (Bianca Amato), until she is ultimately tried and executed for treason. Dominczyk's understated French accent is ideal for a queen born to entitlement, and her flashes of irritability and impertinence enhance Mary's royal persona. Malcolm's forlorn voice befits the earl who is falling in love with Mary while struggling with loyalties to both queens. And Amato shines in a commanding performance as Bess, a treacherous woman who stops at nothing to ensure self-preservation and financial security. A.R.H. ? AudioFile 2009, Portland, Maine --This text refers to an out of print or unavailable edition of this title.