The Pillars of the Earth by Ken Follett

#1 New York Times Bestseller Oprah's Book Club Selection The extraordinary . . . monumental masterpiece (Booklist) that changed the course of Ken Follett's already phenomenal career--and begins where its prequel, The Evening and the Morning, ended. Follett risks all and comes out a clear winner, extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect--a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett's historical masterpiece. Editorial Reviews With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. - Publishers Weekly - Publisher's Weekly A radical departure from Follett's novels of international suspense and intrigue, this chronicles the vicissitudes of a prior, his master builder, and their community as they struggle to build a cathedral and protect themselves during the tumultuous 12th century, when the empress Maud and Stephen are fighting for the crown of England after the death of Henry I. The plot is less tightly controlled than those in Follett's contemporary works, and despite the wealth of historical detail, especially concerning architecture and construction, much of the language as well as the psychology of the characters and their relationships remains firmly rooted in the 20th century. This will appeal more to lovers of exciting adventure stories than true devotees of historical fiction. Literary Guild dual main selection.-- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass. - Library Journal Follett is a master. --The Washington Post Wonderful . . . will hold you, fascinate you, surround you. --Chicago Sun-Times A towering tale . . . a ripping read. . . . There's murder, arson, treachery, torture, love, and lust. --The New York Daily News Ken Follett takes a giant step. --San Francisco Chronicle Enormous and brilliant . . . a great epic tale . . . crammed with characters unbelievably alive across the great gulf of centuries . . . touches all human emotion--love and hate, loyalty and treachery, hope and despair. See for yourself. This is truly a novel to get lost in. --Cosmopolitan With this book, Follett risks all and comes out a clear winner . . . a historical novel of gripping readability, authentic atmosphere, and memorable characterization. Beginning with a mystery that casts its shadow, the narrative is a seesaw of tension, suspense, impeccable pacing . . . action, intrigue, violence, passion, greed, bravery, dedication, revenge, and love. A love that entertains, instructs, and satisfies on a grand scale. --Publishers Weekly An extraordinary epic buttressed by suspense . . . a mystifying puzzle involving the execution of an innocent man . . . the erection of a magnificent cathedral . . . romance, rivalry, and spectacle. A monumental masterpiece . . . a towering triumph from a major talent. --Booklist - From the Publisher For roughly 500 pages, half the book, cathedrals and rapine are enough. Mr. Follett's male characters are chess pieces, clearly labeled Good Guy and Bad Guy. There is a saintly churchman and a bad one; the saint plays politics just as much as the sinner, but we know which one is the villain because he wears black. Mr. Follett's female characters are virtually indistinguishable from one another, plucky types whom men must nonetheless rescue from any real danger....Like a cathedral built too high, Mr. Follett's story develops cracks, and chunks of it fall into the crypt. The plot, which theoretically centers on the building of a cathedral, spills off into too many different directions, including a whirlwind tour of Europe and a completely obvious mystery. The characters never grow, and without some deepening emotional discovery, the world of the novel becomes trite, the incidentsThe vigor and intensity of the first half of the book may bring The Pillars of the Earth popular success. But half a book isn't good enough, especially at these prices. repetitious. -- New York Times - Cecilia Holland A novel of majesty and power. - Chicago Sun-Times Arguably the best work of an author known for spy thrillers, this is historical fiction at its finest. The hope and despair of several people are tightly woven with the enormous task of cathedral construction in medieval England. Narrator John Lee adds vigor to Follett's descriptions of otherwise mundane matters: the graceful arch of a gothic spire, the innovation of using a mill wheel's power to felt wool. Follett's poignant characters blossom with Lee's reading. Lee reveals level-headed Prior Phillip's rare moments of pride as the church construction flourishes, and his anguish in the face of stolen funding. Phillip's nemesis, an ambitious nobleman, is cunning, and his lack of self-confidence is clear in Lee's capable reading. After 41 hours of listening, readers will yearn for more. N.M.C. © AudioFile 2008, Portland, Maine - JUN/JUL 08 - AudioFile